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Gethsemani (Unabridged)

by Joel David Weir

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Brandon Pfeiffer
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Brandon Pfeiffer Like everyone of Joel’s records before, this one feels just as epic and uniquely fresh. I don’t understand how his songs continually get deeper and more intense the more I listen. Favorite track: The Defense.
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1.
Ebb 02:52
May was shattered. When I opened my eyes I was upside down in a ditch outside of Gethsemani Kentucky. Josh Ritter was still playing through the speaker - “I became a thin blue flame Polished on a mountain range And over hills and fields I flew. Wrapped up in a royal blue” that’s what Josh sang - helluva song - kinda spooky though - i coulda slid down that kentucky hill- after an overcorection on a hairpin turn - gravel, gravel, grind grind, impact - St. Columba, the patron saint of floods, bookbinders, poets among other things - got in some trouble once and decided to self-exile - he set sail from his home in Ireland until he couldn’t see it anymore - walked up on a hill - you can still visit that hill today - its on the Island of Iona in the outer Hebrides in Scotland - and said I can no longer see Ireland - I’ll stop here - actually this is what he said - Delightful to me to be on an island hill, on the crest of a rock, that I might often watch the quiet sea; That I might watch the heavy waves above the bright water, as they chant music to their Father everlastingly. That I might watch it's smooth, bright-bordered shore, no gloomy pastime, that I might hear the cry of the strange birds, a pleasing sound; That I might hear the murmur of the long waves against the rocks, that I might hear the sound of the sea, like mourning beside a grave; That I might watch the splendid flocks of birds over the well-watered sea, that I might see its mighty whales, the greatest wonder. That I might watch its ebb and flood in their course, that my name should be--it is a secret that I tell--"he who turned his back upon Ireland;" That I might have a contrite heart as I watch, that I might repent my many sins, hard to tell; That I might bless the Lord who rules all things, heaven with its splendid host, earth, ebb, and flood…
2.
Shattered 04:46
Let my heart be unified Not torn asunder wrent apart x2 Or shattered like glass on impact Turned my back on Eire Face the waves to pull me back When i am drifted do not leave my side When i am drifted do not leave me Shattered like glass on impact Fae my eyes may water flow Let no more wrath be stirred Mangled soul caught on the brae Or brae mae be my final rest Shattered like glass on impact If i be damned or drowned Let it be done swiftly now But if there be a shard of hope For this disfigured frame I pray I will to lose most everything Save all you have to bring
3.
Gethsemani 04:46
I wasn;t kidding I wasn’t saying it for show I’m on the edge of this thing If you’re a sculptor If its just potions for the stunned I’ll have to take a raincheck I gave my life for this I gave my kids a challenged sum I left a fortune at your feet Yeah I left a fortune at your feet Gethsamani Gethsemani Gethsemani Oooh… Did I demand too much? Like an ungrateful eldest son? Like a woman at a well? I just know the rivers runnin I know the plough still digs the earth I know my conscience is clean Gethsamani Gethsemani Gethesemani Ohhhh..
4.
There are some folks who you’ll never understand - and some folks who will never understand you. Best advice I’ve been given in some time. There’s a real difference between compromise and cowardice, peacemaking and passivity. But that line is so blurred sometimes. Some of us learn that lesson the hard way. Maybe it took brushing up with death to realize I had been doing a contortionist act too long. Sometimes I figured I was doing some sort of trapeze act - or maybe a tight rope walker - the applause makes you keep doing it - add some midwestern guilt in there and you have the right mixture for one helluva drug. Self-exile - not resignation or remaining - became a place of clarity — Doesn’t mean the wounds don’t still flare up sometimes - but at least I know what they are -those contortion wounds - it affects places in the spine - the nerves - there are dislocations that occur — those things take time for healing. For it was not an enemy that reproached me - then I could have borne it - if it was he that hated me that did magnify himself against me - then I would have hid myself from him. But it was you - my equal, my companion, my familiar friend - we used to share sweet fellowship - we walked in the house of God together
5.
The Defense 03:19
Contempt is so much worse than Just agreeing to part ways Cuts like a rusty sawblade Poison in your veins We used to break this bread together Used to sing familiar tunes But I can’t change who I am for you Remember when you told me I should be the one to leave You listed your conclusions Of my motives and my deeds I used to bring defense but that would only make me bleed Bleed right through I won’t lose who i am for you I have tried to be the bridge I have tried with all my might But i lost myself in sorrow And i’m tired of the fight May God forgive my weakness But I only have one life - one life I wish no curse upon you But I cant stay in this place I’ve seared my soul for far too long On the fire of saving face I must attend these wounds In a manner that is true I won’t change who i am for you
6.
Emerald 03:55
Dare you sing me out of this room I’ve been afraid Shaking silent so long I can’t come Cant emerge This fear is louder Than your clever song I’ve been reading green poison Terrifying tomes Inscribing incantations in my bones I need the poem of some old holy christ Sung to me to sing me out of this room Dare you to sing me out of this tomb I’ve been alone Shaking hands with the I can’t come But i need to purge This fear that has shouts over All my favorite songs I’ve been reading emerald poison Terrifying tomes Inscribing incantations in my bones I need the poem of some old holy christ Sung to me to sing me out of this room
7.
I got to visit London for the first time in my life last summer. As an American it was kinda wild just how old everything is, and how its like no big deal. Like yeah - this pub - been here for for five hundred years - this spot on the road here is where the gallows were back when that happened - yeah - its real wild - so - while we were in London we had to go to all the old places - one of those was the tower of london - the tower of london - that’s a spot, right by where all the royals lived at different times - well - where they kept prisoners - thing is - they wanted to preserve the graffiti really - but back then graffiti was like carving in the wall - so - you had really commit to what you were gonna say I guess - but there’s these carvings - in the stone - from, like, way back - there were famous people - people you never heard of - but - preserved those - those - messages under glass so it wouldn’t fade over time – and I’m looking at all these - you got you know religious prisoners, and political prisoners - people you know - maybe saying that the gallows were bad - but - I’m looking at all this graffiti - and I see this one and its some latin - latin carved real big - carved in 1568 and translated it said ‘the word of the Lord remains over all’ - under that inscription was a name - and that name - i kid you not - not making this up - John Prine - so - i came to a few conclusions - first - well - how to explain this - either John Prine is a time traveler - or an immortal - of - John pulled one of the most amazing pranks in history - all of those explanations give me great comfort - well - next to john there was this other guy - can’t remember name - he carved something like ‘i hope next year is better than this’ - huh - so the other conclusion I came to was that there was a song in this somewhere - so I got thinking and well I decided to write a song from the perspective of John Prine’s cellmate - so - hope you’ll bless this John - wherever you are - but I have a good idea where you are - and its a whole lot better than the tower of london
8.
Tower of London 1563 Sitting there lonesome Wishing I were free Just then some poor soul Got thrown in my cell Jacket was torn Boots shot to hell He said my names Johnny I said what on earth Has landed you here In this tower of hurt? He said I was just singing Just singing my song And I guess I said something That caused some alarm It was the autumn or winter 1563 Tower of London John Prine and me He said I was singing At the old mitre inn The ladies were dancing And the boys were all kin Then I said something bout Jesus and then How cuttin off heads was probably a sin It was probably ol Georgie that ratted me out Something about that fella I can’t figure out Never trust a fellow who won’t raise a pint But spends his time tellin everybody he’s right Tower of London 1566 They dragged Johnny out I assumed what that meant So I took me a rock Clinched up my fist And carved I hope next year Is better than this Spring or summer 1568 Missing ol Johnny Staring at my plate When all of a sudden I saw carved in the wall The word of the lord shall remain over all
9.
10.
There are places I’ve been that likely won’t be here when my grandson, granddaughter - maybe even my daughter or my son is my age, or if they are its gonna be unrecognizable. Spend some time in a place that is disappearing because the water keeps rising - the storms keep getting worse, the heat’s getting unbearable - see the eyes of people - ‘i opened the door - and the water was already so high - that’s when i knew it was fatal… that’s when i knew it was fatal… Been there’s a verse in the wisdom of solomon - not everyone knows it - its one of those so-called extra books - the ones that were always there but got taken out… for some reason — The Lord will take his zeal as his whole armor, and will arm all creation to repel his enemies; he will put on righteousness as a breastplate, and wear impartial justice as a helmet; he will take holiness as an invincible shield, and sharpen stern wrath for a sword, and creation will join with him to fight against the madmen. - huh - how long, o lord? Or do I want to ask? I might be the one struck down - or perhaps I should be the one - should be me instead of the ones who can’t leave cause of - well all the reasons people can’t leave - or don’t want to leave - i wouldn’t want to leave - but what do i leave for my kids, my grandkids? “That’s when i knew it was fatal” - a guy in Ft. Myers Florida told me that - seeing the waters rise in his house quicker than he thought - unable to leave he made raft out of a cooler and made his way to safety - you know they were shooting sharks off the coast in the days after - to try to find remains for identification - at Tina's bar they meet in the evening to exchange those stories - only place open - it got wiped out too - beers in coolers and charcoal grilling will do - free for anyone - gonna be music this Friday - no cover - come out… A little less than livable conditions? Plenty of people with plenty of ideas - plenty of reasons given to do something - do nothing - do anything - do what you can - can you do anything? Gotta do something…
11.
Says Loretta 03:46
The sun went down in Loretta Sun went down so they say The waters stirred There were words exchanged The sun went down in Loretta Philanthropists stole the stage But the tidings didn’t follow the schedule In Loretta You’re a coward You’re a coward Said Loretta The sun went down in Loretta The price we paid for everything We leave behind a little less than livable conditions For Loretta
12.
Don't Forget 03:19
Don’t forget to take time for silence Don’t forget to listen to the birds Don’t forget to walk down to the river Don’t forget to write down what you heard Cause there’s so much that distracts us for real life We can forget our own heart and our own breath So raise a glass of love and mercy to each other Don’t forget have mercy on yourself Don’t forget to let go of your grudges Holding on is only poisoning yourself Don’t forget to get help when you need it Cause were all just walking wounded in this mess

about

Gethsemani was written and recorded over 7 months on two continents, across four American states and three countries in the British Isles. In December 2022 I had reached a place that, I suppose they call burnout, but I didn't realize it until I was sitting in a cafe in Glasgow, and took a breath that felt different - not constricted or forced - but a breath. That was a month after the accident in Kentucky, where six of the songs on this records were written and three recorded, on the back porch of a cabin I spent a week at... before the accident.
When I finally had it in me to go back and listen to those recordings I decided to keep a few of them as is - so you could hear the immediacy - the rawness of what was happening right then - plus those birds on "Gethsemani" just provided such a beautiful backdrop.
I loved and was enchanted by Scotland, Ireland, England.. and was pleasantly surprised by our accidental long stay in Iceland. So - the songs got developed in those spaces - sometimes, as in the case of "Mull Interlude" recorded there. But I got back to the states and looked forward to making up for the lost time at the Monastery Studio - time I lost from the timing of my accident.
I kinda fell in love with the Peoples Republic of Walnut Hills in the short time I got to spend there while recording at The Monastery Studio. I'm profoundly grateful to Ric Hordinski for his generosity of spirit, beautiful soul and for really caring for my songs. So glad to have brought in Josh Seurkamp on percussion - what a talent and a vibrant soul. Adalia! Thank you for singing on "The Defense"! It was such a lovely addition and, I think, really made the song special. I love your work and will always cheer for you and the mighty KNOTTS!
Grateful to the CRG and Lilly Endowment for the Renewal Grant that made this possible. Grateful to Fr. Seraphim Aldea and the Monastery of All Celtic Saints for prayers, presence, and hospitality this summer.
Thanks to Tom Hilton at Aldora Britain Records for your undying support of independent music (including mine!). Cheers, mate!
All love always to Maria Reynolds Weir - my love for life, my punk rock girl, my muse always - thank you for believing in this thing I have to do to stay sane and alive. Love to my kids, Layla and Liam, and grandkids Emeric and Esmae.
Memory Eternal to John Prine. God we miss you.

This album is dedicated to Jeff Weir, my big brother, 'the wise one', the guy who introduced me to most cool things in my life, who reminded me I can always join the peace corps and told me long ago to listen to John Prine. You are loved more than you can imagine or know. Imma keep playing these songs and doing the best I can.

All the best to each and every one of you who have listened.

credits

released January 1, 2023

All songs by Joel David Weir.
Copyright 2022 St. Patrick Songs (ASCAP)

Lyrics by Joel David Weir except "Emerald" by Maria Reynolds Weir and Joel David Weir.

Tracks 1,4,7,10 Recorded and mixed at St. Squirrel Studions, Crawfordsville, IN.
Tracks 2, 5,8,11Recorded and mixed by Ric Hordinski at Monastery Studios, The Peoples Republic of Walnut Hills, OH.
Tracks 3, 6, 12 Recorded at a cabin outside of Gethsemani, KY. Mixed at St. Squirrel Studios, Crawfordsville, IN.
Track 9 Recorded at Oran Na Mara, Mull Monastery, Mull Scotland. Mixed at St Squirrel Studios, Crawfordsville, IN.

Joel David Weir - acoustic guitar, vocals, narration on all tracks.
Ric Hordinski - acoustic, electric, lead guitars, shakers on tracks 2, 5, 8, 11.
Joshua Seurkamp - percussion on tracks 2, 11.
Adalia Powell-Boehne - vocals on track 5.

Mastered by Joe Procopio, 2Track Mastering, Cheltenham, PA.

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